Deerhoof - Milk Man (2004)

Life changing. Ill stake my life on it, im pretty sure Deerhoof is the best band of the past 10 years.

giga dance

Public Image Limited - Metal Box (1979)

Well, I am completely loving this record right now. Bass sounds deeper than the ocean, brutally tight drumming, savage guitar playing sharp as knives--all creating a disturbingly groovy altar of sound for Johnny Lydon's anguished rant/singing. This is definitely avant-garde post-punk in its most twisted and intense form. Dig it.


And while we're at it - here's First Issue from 1979. Also a killer album, and my very first introduction to the band and it blew my mind. jamsassasasassmssss.

Olivier Messiaen (1908-1992) - Vignt Regards sur l'enfant Jesus (1944)

Merry Christmas!!!!! My favorite version of the nativity story. Super heavy ultra cosmic revelatory piano playing. This piece is too deep and I dont know how to put it into words but I like how allmusic does:

Olivier Messiaen's Vingt Regards sur l'Enfant Jésus (20 Contemplations of the Infant Jesus) are a towering specimen of twentieth century pianism. The work lasts more than two hours on those rare occasions when performed -- as Messiaen intended the pieces to be -- as a complete cycle. Written in 1944 and premiered the following year by Messiaen's wife Yvonne Loriod, whose masterful early performances and recordings of Messiaen's piano works did tremendous amount to bring his music to a wider audience in the 1950s and 1960s, the Vingt Regards sur l'Enfant Jésus plunge into the raw depths of Messiaen's Christian faith; the scintillating and frighteningly (but exhilaratingly) virtuosic fast movements prove once again how primal and joyful Messiaen's religion was to him, and the slow movements touch the sublime in ways that perhaps no composer of Western sacred or sacred-inspired music since J.S. Bach has managed with quite the same steadfast selflessness.

In this composition Messiaen created perhaps the quintessential twentieth century Christmas suite for piano. In it, he contemplates virtually all the figures associated with the story of the Nativity, and with many of the theological implications of the same event. Some of the movements are tender; others are full of roaring power, as Messiaen turns his attention to cosmic implications.

The Vingt Regards are brilliantly chromatic music; the work is, for many, the high point of Messiaen's so-called early period (which is usually considered to have ended with the Turangalîla-symphonie of 1946-1948). A number of symbolic musical motives appear throughout the score, creating a basic-level cyclicism; the most important of these is the God theme that we first hear in the very slow No. 1 "Regard du Père" and which then returns to prominence every few movements -- specifically, every five. The Vingt Regards are built as four groups of five pieces, but there are many other numerological schemes employed that overlap with that basic pentastyle design -- Messiaen himself explained some of these meaningful uses of number in a preface to the score. The score falls into two halves, the first of which features the electrifying fugal outburst of No. 6, "Par Lui tout a été fait," and the second of which concludes with the magnificent musical and spiritual peroration of No. 20, "Regard de l'église d'amour" -- a true peroration that recalls and reshapes many of the events of the past two hours, and music of extraordinary power.

And sorry for ignoring the shit out of my blog, ill try and start posting shit again.

Disc 1

No. 1, Regard du Pere
No. 2, Regard de l'etoile
No. 3, L'echange
No. 4, Regard de la Vierge
No. 5, Regard du fils sur le fils
No. 6, Par lui tout a ete fait
No. 7, Regard de la Croix
No. 8, Regard des hauteurs
No. 9, Regard du temps
No. 10, Regard de l'Esprit de joie
No. 11, Premiere communion de la Vierge

Disc 2

No. 12, La parole toute-puissante
No. 13, Noel
No. 14, Regard des anges
No. 15, Le baiser de l'Enfant-Jesus
No. 16, Regard des prophetes, des bergers et des mages
No. 17, Regard du silence
No. 18, Regard de l'onction terrible
No. 19, Je dors, mais mon coeur veille
No. 20, Regard de l'eglise d'amour

hello hello

hey sorry my blog is dead right now...my free time has dwindled to a miserable nothing and i can hardly even sit down for a while and just listen to some jams but yeah. more posts after next week when the semester is over and i can chill a bit.